Parisian War Song
Spring is evidently here; for
The ascent of Thiers and Picard
From the green Estates lays
Its splendours wide open!
O May! What delirious bare bums!
O Sèvres Meudon, Bagneux, Asnières,
Listen now to the welcome arrivals
Scattering springtime joys!
They have shakos, and sabers, and tom-toms,
And none of the old candleboxes;
And skiffs which have nev... nev...
Are cutting the lake of bloodstained waters!
More than ever before, we roister,
As on to our ant-heaps come
Tumbling the yellow heads,
On these extraordinary dawns:
Thiers and Picard are Cupids;
And beheaders of sunflowers too;
They paint Corots with insecticide:
Look how their tropes de-cockchafer the trees...
They're familiars of the Great What's-his-name!...
And Favre, lying among the irisis,
Blinks and weeps crocodile tears,
And sniffs his peppery sniff!
The Big City has hot cobblestones,
In spite of your showers of paraffin;
And decidedly we shall have
To liven you up in your parts...
And the Rustics who take their ease
In long squattings,
Will hear boughs breaking
Among the red rustlings.
Radical Poems, Songs ,Satire ,Links ,debate. Please comment on Poems and suggest links etc.To suggest Poems,poets, sites etc email: radicalrraps64@hotmail.co.uk No Postmodern absentee Poetry here please. Access all my Poems here:http://www.scribd.com/doc/91518531/Poetry-for-Book-April-2012
Saturday, 18 August 2007
Tuesday, 7 August 2007
IRAQ
IRAQ
A Classical Hollywood narrative of hope and redemption
Pentagon Disneyland for free market experimentation
falsely benign Fox misrepresentation
The birthplace of civilisation run by Haliburton and Bechtel
and their creative accounting fraudster friends
Criminals as Kings , theft, gang rape, kidnapping ,honour killings
all carried out in the name of Freedom
The Geometry of bad water, no power, mounting waste correlates
neatly with rising violence , despair and irredentist fundamentalism
Stereotypical Rae burn wearing GI’s with
their guns and pills and pop culture
seek “ Bad Guys” in an apocalyptic Pentagon theme park
as misogynist misery gangs resist the Occupodians
creating chaos to win
Disgruntled cynical working-class grunts
and Mercenary security firms guard
the boys in the bubble in the Green Zone
with their post-modern colonial Gap Gear
wraparound shades and Heckler and Kock MP 5 s
While crazy people roam amongst trash fires and diseased feral dogs
In Sadr City
Vietnam Street ,
Death to Spies and Collaborator conclusions
on walls
Sedans full of men and eyes on each corner
Military technology again substitutes poorly
for an absence of hearts and minds
In an awkwardly urban apocalyptic clash of cultures
Self-confident Ivy league Green Zone post-colonialists
construct fantasies in an air-conditioned oasis of
beautiful palm trees and manicured lawns
as carpet bagging “reconstruction” fraudsters
drain Iraq of its life blood natural resource .
Joes and Hagis
Saws and MRES
A Two Tier army
Tag teaming, $ 15 ficky fick, digital photo trades
Juicing on steroids, sleeping on valium, eating coffee granules
in a floating , escapist diazepam hazed rabbit hole
High noon patrols prowl the streets
in a Heart of Darkness wild west called Fallujah
as Apache Helicopter gunships circle and strafe
in this Iraqi Alabama at the end of the river
creating chaotic visual loops of orange
Parachuted incandescent flares descend
on night time blockades , house raids ,
Bound and hooded Iraqis , a dead child mistake
Panther Penis victims
Cancerous depleted Uranium victims
Lack of Medical supply victims
Sharia Lawlessness victims
Pray and spray shooting victims
Pre-Medieval self-referential autonomous
cells of women-hating men
Parasitic voyeurs
War Tourists
Cynical Grunts
Careerist freelancers
Nut jobs
Pilgrims
Neo-con fantasists and
In Denial Zealots
Neither Political Islam nor US Imperialism
cries the Left while young men rapped in Green
and Black flags fire AK-47s in the air
drawn to the lure of violence
While 13,000 souls anguish in a
ritualised nightshift humiliation inside
an Iraqi Andersonville with its towers and razor wire
Incessant sobbing, child shrieks and swaggering GI’S
NGO Groupies
Useless CMOCS
SUV Flames
IEDS and RPGS
Dawn to Dusk Curfews
All paths in the neo- con bloody circus leading nowhere
signifying the end of Planet America.
Peter Burton August 2007
A Classical Hollywood narrative of hope and redemption
Pentagon Disneyland for free market experimentation
falsely benign Fox misrepresentation
The birthplace of civilisation run by Haliburton and Bechtel
and their creative accounting fraudster friends
Criminals as Kings , theft, gang rape, kidnapping ,honour killings
all carried out in the name of Freedom
The Geometry of bad water, no power, mounting waste correlates
neatly with rising violence , despair and irredentist fundamentalism
Stereotypical Rae burn wearing GI’s with
their guns and pills and pop culture
seek “ Bad Guys” in an apocalyptic Pentagon theme park
as misogynist misery gangs resist the Occupodians
creating chaos to win
Disgruntled cynical working-class grunts
and Mercenary security firms guard
the boys in the bubble in the Green Zone
with their post-modern colonial Gap Gear
wraparound shades and Heckler and Kock MP 5 s
While crazy people roam amongst trash fires and diseased feral dogs
In Sadr City
Vietnam Street ,
Death to Spies and Collaborator conclusions
on walls
Sedans full of men and eyes on each corner
Military technology again substitutes poorly
for an absence of hearts and minds
In an awkwardly urban apocalyptic clash of cultures
Self-confident Ivy league Green Zone post-colonialists
construct fantasies in an air-conditioned oasis of
beautiful palm trees and manicured lawns
as carpet bagging “reconstruction” fraudsters
drain Iraq of its life blood natural resource .
Joes and Hagis
Saws and MRES
A Two Tier army
Tag teaming, $ 15 ficky fick, digital photo trades
Juicing on steroids, sleeping on valium, eating coffee granules
in a floating , escapist diazepam hazed rabbit hole
High noon patrols prowl the streets
in a Heart of Darkness wild west called Fallujah
as Apache Helicopter gunships circle and strafe
in this Iraqi Alabama at the end of the river
creating chaotic visual loops of orange
Parachuted incandescent flares descend
on night time blockades , house raids ,
Bound and hooded Iraqis , a dead child mistake
Panther Penis victims
Cancerous depleted Uranium victims
Lack of Medical supply victims
Sharia Lawlessness victims
Pray and spray shooting victims
Pre-Medieval self-referential autonomous
cells of women-hating men
Parasitic voyeurs
War Tourists
Cynical Grunts
Careerist freelancers
Nut jobs
Pilgrims
Neo-con fantasists and
In Denial Zealots
Neither Political Islam nor US Imperialism
cries the Left while young men rapped in Green
and Black flags fire AK-47s in the air
drawn to the lure of violence
While 13,000 souls anguish in a
ritualised nightshift humiliation inside
an Iraqi Andersonville with its towers and razor wire
Incessant sobbing, child shrieks and swaggering GI’S
NGO Groupies
Useless CMOCS
SUV Flames
IEDS and RPGS
Dawn to Dusk Curfews
All paths in the neo- con bloody circus leading nowhere
signifying the end of Planet America.
Peter Burton August 2007
Sunday, 29 July 2007
Merry Clayton
Merry Clayton
Merry Clayton (born December 25, 1948 in Gert Town, New Orleans, Louisiana) is an American gospel singer. She provided a number of back-up vocal tracks to songs recorded by major performing artists during the 1960s. Her first name was given because she was born on Christmas day. She was married to jazz artist Curtis Amy until his death in 2002.
She dueted with Mick Jagger on The Rolling Stones' song "Gimme Shelter" on their Let It Bleed release. Reportedly, the intensity of her performance on the song caused her to miscarry.[1] Clayton also sang backing vocals on Lynyrd Skynyrd's "Sweet Home Alabama".[2] Early in her career, Clayton sang backup vocals for Tom Jones, Ray Charles, Joe Cocker and Carole King. She also originated the role of the Acid Queen in the original 1972 London production of The Who's Tommy. More recently, Clayton has provided background vocals for Sparta's latest album Threes on the songs "Atlas" and "Translation". As an actress, she co-starred with Ally Sheedy in the 1987 film Maid to Order, and played Verna Dee Jordan in the final season of Cagney & Lacey.
Merry also sang the song "Yes" that was in the 1987 film Dirty Dancing and also featured on the soundtrack album.
Merry Clayton (born December 25, 1948 in Gert Town, New Orleans, Louisiana) is an American gospel singer. She provided a number of back-up vocal tracks to songs recorded by major performing artists during the 1960s. Her first name was given because she was born on Christmas day. She was married to jazz artist Curtis Amy until his death in 2002.
She dueted with Mick Jagger on The Rolling Stones' song "Gimme Shelter" on their Let It Bleed release. Reportedly, the intensity of her performance on the song caused her to miscarry.[1] Clayton also sang backing vocals on Lynyrd Skynyrd's "Sweet Home Alabama".[2] Early in her career, Clayton sang backup vocals for Tom Jones, Ray Charles, Joe Cocker and Carole King. She also originated the role of the Acid Queen in the original 1972 London production of The Who's Tommy. More recently, Clayton has provided background vocals for Sparta's latest album Threes on the songs "Atlas" and "Translation". As an actress, she co-starred with Ally Sheedy in the 1987 film Maid to Order, and played Verna Dee Jordan in the final season of Cagney & Lacey.
Merry also sang the song "Yes" that was in the 1987 film Dirty Dancing and also featured on the soundtrack album.
Saturday, 28 July 2007
Political Poems
Some good political poems: Mrs Conservative , Deep Cut etc
http://www.richardmacwilliam.com/politicalmain.html
http://www.richardmacwilliam.com/politicalmain.html
Saturday, 21 July 2007
Spaceman by Phil Ochs
Spaceman
By Phil Ochs
[first: the melody by itself, whistled]
Way high, so high:
Travelin' fast and free.
Spaceman, look down:
Tell me what you see.
Can you see the hunger there
Strike without a sound?
Can you see the food you burn
As you circle round?
Way high, so high:
All the world will cheer.
Spaceman, look down:
Tell me what you hear.
Can you hear a child cry,
Body filled with pain?
Deadly sores when cures are there--
How much fuel remains?
Way high, so high:
Spaceship made of steel.
Spaceman, look down:
Tell me what you feel.
Can you feel the money gone
As you sail through space?
Can you feel how many die
When you win the race?
Way high, so high:
Travelin' fast and free.
Spaceman, look down:
http://web.cecs.pdx.edu/~trent/ochs/lyrics.html
By Phil Ochs
[first: the melody by itself, whistled]
Way high, so high:
Travelin' fast and free.
Spaceman, look down:
Tell me what you see.
Can you see the hunger there
Strike without a sound?
Can you see the food you burn
As you circle round?
Way high, so high:
All the world will cheer.
Spaceman, look down:
Tell me what you hear.
Can you hear a child cry,
Body filled with pain?
Deadly sores when cures are there--
How much fuel remains?
Way high, so high:
Spaceship made of steel.
Spaceman, look down:
Tell me what you feel.
Can you feel the money gone
As you sail through space?
Can you feel how many die
When you win the race?
Way high, so high:
Travelin' fast and free.
Spaceman, look down:
http://web.cecs.pdx.edu/~trent/ochs/lyrics.html
Thursday, 5 July 2007
Novorcherkassk June 2 62
Novorcherkassk June 2 62
dum dum bullets ring out
from non-Russian soldiers' guns
and tanks on to peaceful protestors
with their unstaged amended red flags
of protest against rising prices and falling piece rates
Where lie the dead of Novocherkassk ?
Workers and wives crumple at the feet
of a helpless Lenin as Kalashnikovs
take over from the arrogance and contempt
of factory supervisors, Kruschev and Mikoyan
Martial law curfews and lists of names
streets full of troops and tank patrols
mass arrests and secret trials
house visitations and media blackouts
Where lie the dead of Novocherkarssk
cleaning park benches and bloodied
grey buildings deporting the relatives
and better food in the shops
All must pretend
this did not really happen
But where lie the dead of Novorcherkassk ?
Peter Burton July 2007
dum dum bullets ring out
from non-Russian soldiers' guns
and tanks on to peaceful protestors
with their unstaged amended red flags
of protest against rising prices and falling piece rates
Where lie the dead of Novocherkassk ?
Workers and wives crumple at the feet
of a helpless Lenin as Kalashnikovs
take over from the arrogance and contempt
of factory supervisors, Kruschev and Mikoyan
Martial law curfews and lists of names
streets full of troops and tank patrols
mass arrests and secret trials
house visitations and media blackouts
Where lie the dead of Novocherkarssk
cleaning park benches and bloodied
grey buildings deporting the relatives
and better food in the shops
All must pretend
this did not really happen
But where lie the dead of Novorcherkassk ?
Peter Burton July 2007
Tuesday, 19 June 2007
The Bard
The Bard
Sincere ,natural peasant-bard
profound confessor of all human emotion
Singing his way into a nations' hearts
with his courage, self-worth and fierce independence
an exposer of corrupt effete
humbug ,cant and church ceremonial
impious hands on the ark of the covenant
suffering unbaptised children 'goin to the deil'
tender indignant
good-natured serious
wise perceiver of capricious
voguish public favour
a persecuted prophet
both feared and revered
all the world loves you
now you're safely dead
Peter Burton
June 2007
Sincere ,natural peasant-bard
profound confessor of all human emotion
Singing his way into a nations' hearts
with his courage, self-worth and fierce independence
an exposer of corrupt effete
humbug ,cant and church ceremonial
impious hands on the ark of the covenant
suffering unbaptised children 'goin to the deil'
tender indignant
good-natured serious
wise perceiver of capricious
voguish public favour
a persecuted prophet
both feared and revered
all the world loves you
now you're safely dead
Peter Burton
June 2007
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